THERE WAS A time in my life, a very rich and lovely time,
when I almost lived in New York City, staying down on Gansevoort
Street long before it became chic and walking to work at the
Village Voice every day. And yet, I paid no rent and got to
go back to California a lot. Oh, golden year!
One of my acquaintances then was the guitarist Robert Fripp,
who was a friend of a friend. He was extremely soft-spoken
and kindhearted, an accidental rock star who had no particular
interest in the role.
So one time a group of us, mostly journalists and musicians,
maybe 10 people in all, went to dinner at some downtown spot,
cheap and loud and amusing. And we were talking profanely,
as was our wont, and gossiping and flirting in that wide-array
set-phaser-on-stun sort of way that portends nothing at all
unless it does.
And then the first course arrived, and Fripp tinked his
glass and said, "I'd like to offer a blessing."
There was nervous laughter. You may be sure that we were
the only table contemplating prayer in that restaurant; you
may be sure that none of us (Fripp excluded) were regular
sayers of grace.
But in the clear fame-ocracy of media New York, it was implicitly
but entirely understood that when Robert Fripp (co-genius
behind King Crimson, collaborator with David Bowie and Peter
Gabriel and Brian Eno, respected guitar virtuoso) decided
a blessing was in order, there would be no catcalls from the
cheap booths.
So Fripp said some words, clearly memorized rather than
extemporized (and that too was odd, since in America at table
we tend to wing it, thanking God for this day and the weather
and that Martha could be here despite her hip problems; we
distrust flowery language), about honoring the animals and
the plants that had died so that we might have sustenance,
and commending their spirits to the care of the Almighty.
I T WAS A darned quiet table after that. It is uncomfortable
to think about food. Every meal is an act of denial, a common
agreement that ``food'' exists in a category different from
``pet'' or ``animal'' or ``soulful entity.''
It was easy for me to dismiss the idea that a carrot had
a soul, although clearly Fripp in some form believed that.
But a big brown-eyed cow, now, or a little lambie, or even
a chicken -- who are we to say that a chicken does not have
a soul? Who made us experts?
I have seen salmon swimming upstream in the endless twilight
of an Alaskan summer, leaping over waterfalls, displaying
characteristics that look very much like courage and tenacity
and fidelity -- how do I decide that I have the holy spark
and that salmon does not?
It's possible that none of us has it, that it does not exist
at all. But surely that equality argues for greater respect.
We're all in this together, folks, every cow and carrot among
us.
HOW YOU VIEW that scene in the restaurant depends on what
you feel like seeing. You can see shallow trend-conscious
humans bowing their heads in unaccustomed prayer because a
rock star told them to -- or you can decide that the Buddha
has many faces and that hypocrisy is as useful a route to
enlightenment as any other. Both are equally true.
Here's what I know: Every so often, when I sit down to a
meal, particularly a meal in a loud and amusing restaurant,
I remember the scene with Fripp at the head of the table,
his head not bowed, his eyes not closed, remembering to remember
that the act of eating is not without consequences.
I am not one who disparages denial. I think a totally evolved
consciousness must be paralyzing. So many wrongs; so much
suffering; the universe based on destruction and rebirth,
on molecules rearranged to create younger and stronger entities.
But I think sometimes we need to see the face of the lamb.
The Stephen Foster song, "I Dream of Dinner With the Big
Brown Eyes.'' Call every vegetable, call it by name, and the
vegetable will jrcsfgate.com.
Call every vegetable, call it by name, and the vegetable
will jrc@sfgate.com
©1999 San Francisco Chronicle

Robert
Fripp Unplugged is now available on CD!